Jon Buck, ‘Goodwood Goddess’, 2000, Bronze; using the physical processes of modelling in clay and plaster and casting into bronze
[Japan]
"Sun's Roots II", by Philip King, 2008
Physically connecting the sun to the ground this work was inspired by Japanese mythology, religion and history.
"Sun's Roots II", by Philip King, 2008
Physically connecting the sun to the ground this work was inspired by Japanese mythology, religion and history.
[Das Kapital]
"Identity", by Wang Yuyang, 2016
Karl Marx's Das Kapital was converted into a binary code that determined the material, colour and structure of the sculpture.
"Identity", by Wang Yuyang, 2016
Karl Marx's Das Kapital was converted into a binary code that determined the material, colour and structure of the sculpture.
[Stairway to Heaven]
"Stairway", by Danny Lane, 2005
This glass and steel composition combines engineering and the concept of time.
bonus:
[rubber palmtree]
"Icarus Palm", by Douglas White, 2005
A familiar but flayed form that connects to ideas of destruction as well as the Greek myth of Icarus.
"Stairway", by Danny Lane, 2005
This glass and steel composition combines engineering and the concept of time.
bonus:
"Icarus Palm", by Douglas White, 2005
A familiar but flayed form that connects to ideas of destruction as well as the Greek myth of Icarus.
(all seen here)
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